There’s a concept that comes up at TheLastPsychiatrist.com: “writing
your story toward an ending.” I like this concept, and I’ve been thinking
about it a lot lately.
The Last Psychiatrist,
of course, frames his blog posts in the language of narcissism. He advises
people to write their stories toward
an ending because a narcissist tends to feel that he or she is the “central
character” in a story about himself/herself. When I think about this concept,
on the other hand, I tend to think of it in slightly different language: the language
of narrative. We all craft narratives about the important things in life. For
example, I met my wife at a friend’s house party on Canada Day. When I think back
about that party, I think of not as a Canada Day party with my friend, but as “the
time I met the woman who would become my wife.” That’s a narrative.
Another example of a narrative is the way we explain our life’s
circumstances. Suppose your roommate left some dirty dishes in the sink last
night and you had to clean them up in the morning. There are a couple of
narratives that might play out in your head. One is, “Argh, my roommate never does the dishes and I always have to clean them up!” Another
might be, “My roommate must have had something come up last night; I’ll help
out by doing the dishes.” What’s important in this example is that the narrative
you choose in a particular situation can have a big impact on how you feel about that situation.
That’s why I always encourage people to craft positive
narratives for their lives. Maybe it’s unfair that your roommate didn’t do the
dishes last night, but you’ll certainly leave the house happier if you believe
you were helping your busy roommate than you would if you believed your no-good
roommate never helps out. If you want your roommate to get better at doing the
dishes, you’ll have to talk to him. That conversation will go a lot better if
you go into it asking how you might help your busy roommate so that the dishes can
get done, compared to an antagonistic intervention in which you accused your
roommate of being lazy.
Narratives matter, because they influence our reactions and the
ensuing series of events.
But life also moves on, and sometimes our narratives – even the
good ones – don’t keep up with the changes we’ve been through. Suppose your roommate
got a lot better at doing the dishes after your chat. If you don’t take the
time to notice that your roommate seldom leaves dirty dishes in the sink, then
the next time he does it – even if it’s the first time in months – you might react
negatively: “Again!? We talked about
this!” But in that example, your roommate will have done nothing wrong. It’s
your narrative that’s the problem, not your roommate’s one-off dirty dish.
The key point here is that the narrative must advance. If
this sounds familiar to you, it might because I’ve written extensively about a
special case of advancing the narrative: The Myth of
the Perpetual Beginner. One challenge a lot of novice runners have is that
they never figure out how not to be novices anymore. The years go by, but their
relationship to the sport stays constant. They never improve their form (to
prevent injuries), they never vary their training (to prevent fatigue and
stagnation), and they never get beyond the same old routes and group runs. To
get to the next phase, where they might enjoy fewer injuries and have a more
fun time running, they must learn to advance their narrative, and become “experienced
runners,” or at least intermediates.
This concept, of course, goes well beyond the relative
trivialities of roommates and running. The Gottman Institute has identified the narrative
surrounding a couple’s relationship as one of the most important aspects of
a marriage. It can go both ways. If your narrative is all about how your spouse
leaves dirty socks everywhere and doesn’t appreciate you, your marriage will
deteriorate. If your narrative is all about how you two have a legendary
romance that thoroughly enriches you, the two of you will make more of a point
to come together (“turn toward each other,” in Gottman’s language) during
harder times. But, of course, if you happen to have accidentally created a
negative narrative and you want to turn it around, the narrative must advance. You must work on creating a love story
between the two of you, and allowing that narrative to become the next chapter
of your lives.
It’s easy for relatively stable and established adults to
have narratives that get “stuck.” You wake up, you go to work, you come home to
family responsibilities, you go to bed. Repeat. Then on weekends, you fill your
time up with hobbies, yes, but hobbies don’t always have narratives, unless we
infuse them with on. If you like to write, you should work on a writing
project, and finish it, and move to the next one. If you like to run, you should
train for something, and then do it, and then train for something new.
In all aspects, our narratives must advance, or else we will
never really experience the forward progress of a life well-lived. Or so I’ve
been thinking lately.
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